The transformation is a reminder of the actor’s innate physicality, most prominently on display in his portrayal of the Gollum in the ill-fated Toronto and London stage productions of “The Lord of the Rings. Yet Therriault manages a moment or two of poignancy when he transforms himself into an elderly Berlin.
There is a relentless quality to the acting, particularly among the supporting players who are loud and surprisingly cartoonish. Joplin’s second wife, Freddie, dies of pneumonia – 10 weeks after their wedding. Dorothy, Berlin’s first wife, succumbs to typhoid fever after their honeymoon in Cuba. What finally brings the two men together are the premature deaths of their wives. The evening opens in Tin Pan Alley, a noisy section of West 28th Street in Manhattan where songwriters auditioned their compositions for music publishers.īerlin and his gruff, barking publisher (the ever reliable Michael McCormick) are auditioning songwriters, and Joplin shows up, looking for someone to publish “Tremonisha.” The show is peppered with biographical info, often clunkily inserted into the story. As portrayed by Michael Therriault, he’s a bit of a nudge, but secretly an admirer of Joplin’s decision to follow his artistic heart.
That vision is poured into his ragtime opera “Treemonisha” and his vain attempts to get it published.īerlin, on the other hand, is portrayed as the savvy, super-successful composer attuned to popular culture and what the public will like or dismiss. He pictures Joplin, played by Michael Boatman, as the committed artist, resolutely following his vision whether it brings him commercial rewards or not. But their coming together doesn’t offer much insight into either one, although Saltzman tries to drum up some dramatic conflict in between songs and the superficial presentation of facts from each of their lives. As concocted by Mark Saltzman, this turgid hybrid revolves around a fictional meeting between the two men. The Roundabout Theatre Company production, which opened Tuesday at its Laura Pels Theatre, is not quite a play and not quite a musical. Callin is the first collaboration between YoungBoy Never Broke Again and Snoop Dogg. All images are property the copyright holder and are displayed here for informational purposes only.The sweet syncopations of Scott Joplin and the marvelous melodies of Irving Berlin can’t bring to life “The Tin Pan Alley Rag,” a soggy, inert examination of what made these musical masters tick. Many historical player head shots courtesy of David Davis. Some high school data is courtesy David McWater. Some defensive statistics Copyright © Baseball Info Solutions, 2010-2022. Total Zone Rating and initial framework for Wins above Replacement calculations provided by Sean Smith.įull-year historical Major League statistics provided by Pete Palmer and Gary Gillette of Hidden Game Sports. Win Expectancy, Run Expectancy, and Leverage Index calculations provided by Tom Tango of, and co-author of The Book: Playing the Percentages in Baseball.
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